If you’re using Avid Media Composer:īe sure to add the color column to your bin and set your timeline Clip Color to Source. Each piece of editing software handles color coding a bit different. ![]() ![]() However, for this to work for you you’ll want to keep a couple things in mind. Now, we typically don’t get much into software specifics in our training, since we like to focus on the creative process. So in your bin or folder, you’d want to change the clip or label color to orange. For example, you might want all foley effects to appear orange on your timeline. To start, you’ll want the color-coding to be based on the source clip colors in your project. ![]() ![]() This is going to help you tell at a quick glance exactly what it is you’re looking at. Color coding is a great way to keep your timeline organized so you can easily keep track of your different scenes, characters and many, many layers of audio and video.Īs an editor, you’ll want to look for opportunities to distinguish elements on your timeline with an obvious difference in color. In this brief edit tip, we’ll cover color coding your editing timeline in three major programs: Avid Media Composer, Adobe Premiere Pro, and Final Cut Pro X.
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